Interior canvas

We asked three award-winning interior designers to style the same piece of art in three very different spaces to explore how art can elevate and define an interior, shifting the mood and presenting diverse experiences of a singular work.

Dream Catcher by Greer Clayton, acrylic on canvas.

The chosen work, Dream Catcher, is a recent painting by Auckland-based artist Greer Clayton. Intentionally ambiguous yet distinctly of this place, Greer’s paintings embody a quiet dichotomy. Neither seasonal nor topographical, they offer a sense of familiarity that is at once immersive and elusive.

An undercurrent of tension — subtle and unresolved — emerges as viewers project their own memories or experiences of place onto an unknown landscape. In this exchange, an ethereal reading of New Zealand’s environment unfolds. “None of my compositions are topographical, but I’m very much seeking the mood and feel of what is typical about our landscapes and what they mean to us,” Greer reflects.

Her practice flows through subtle palettes that articulate shifts of light and air. Colour, for Greer, is cyclical — absorbed from the world and translated onto canvas. “It’s what I take in and what resonates. I like to get out and about — north or south, mountains or coast — there is always inspiration.”

Though never literal or site-specific, certain tonalities inevitably surface with time and place. “Often, you see much more pink in vibrant winter sunsets; in the Sounds, it can be blues or greens that resonate,” she says.

Each designer responded to Dream Catcher in their own way, creating a nuanced dialogue with the architectural and material compositions of their interiors.

“Art has the ability to elevate any space, adding both character and depth. It creates a connection between the environment and the people who live there, transforming a room into something personal, individual, and alive,” explains Parnell Gallery co-director Anna Silcock.

“Art is such a personal decision. It is often through art that a home reveals its stories; each piece reflecting the character and individuality of those who live there,” she adds. In this sense, Dream Catcher becomes more than a painting: it is a catalyst, transforming spaces and inviting inhabitants to engage with their surroundings in a deeply personal way.

Through this project, the subtle power of art within interiors is revealed — how a single work can shape experience; how it can guide movement, anchor colour, and frame the atmosphere; how, ultimately, it brings both intimacy and character to a home.

In a rammed earth home in rural Northland, Kelly Gammie of Rarebirds Interiors placed Dream Catcher in the kitchen. Here, framed by the earthen walls and layers of timber, the piece is at once a vibrant and subtle addition. “When we placed it on the wall, we turned around and had one of those magical moments: the view was almost a replica of the painting, looking out over rolling hills to the Bay of Islands. There was a shaft of lighting coming through the clouds and it just made sense,” she says. The painting’s presence plays against the gentle sense of movement in the walls, and the warmth of the timber ceiling and island bench. “All the core materials in this home — including the earth and timber — are from the local landscape, so for me this was the perfect pairing for Greer’s work. There’s a beautiful language of layering between material and painting. Art is often the final, but essential, part of an interior. It extends the design language and breathes soul into a space.” Rarebirds’ ethos leans towards the eclectic; an embrace of unexpected pairings that reveal a deep sense of character. “Here, a Frank Lloyd Wright Taliesin lamp designed in the 1920s sits next to an original 1950s chair that we designed additional carved balled feet for. The combination of different timbers, styles, and eras is ultimately drawn together with the art.”
In a family home in Auckland’s Point Chevalier, it was the natural warmth of a timber wall that proved the perfect setting for Dream Catcher, interior designer Jayne Tolley explains. “With its fluid forms and muted tones, the painting feels natural, quiet, and moody.” The space Jayne envisioned sits adjacent to a central dividing wall, separating the kitchen and dining from a lounge. Here, the oak flooring was carried up the wall to create a striking point of interest. “It’s a light-filled space that naturally draws people together. The painting, whilst moody and organic, has some surprising pops of quite bold colour. I wanted to pull out colour from both the deeper and softer tones, and let the bold colours in the art to speak for themselves. I wanted the furniture to echo these subtle tonal relationships with curves, layered forms, and intriguing silhouettes. The clean lines and circularity of the Causeway sofa by Tolv, the wooden dowels of the Games coffee table by Cameron Foggo for Natadora, and the linear lamp create a balance of cohesion and contrast. Two Foresta marble pieces — the Rope Bowl and Metropolis Box Rectangle, by Greg Natale — further articulate this layering of softness and purity of form, and draw out the more delicate undertones in the work, each piece contributing to a broader narrative that seems to radiate from Greer’s landscape in a quietly subliminal way.”
When Katie Scott of Sticks + Stones Design saw Dream Catcher, it was the colours that captivated her. “It has this really intense depth to it, with pops of colour yet a moody feel,” she says. For Katie, art is often the foundation of a room’s identity. “When clients come to me with artworks they already love, it tells you so much about who they are and what resonates with them. When I’m guiding clients in choosing new pieces, art often becomes a springboard for the wider design. In both cases, art often sets the tone and direction.” That philosophy shaped Katie’s decision to place Dream Catcher in a bedroom in a central Auckland home. Here, the painting isn’t simply hung on the wall, it extends into the room itself — its brushstrokes echoed and expanded through materiality and colour: in dark grey velvet, the smoky tones of marble side tables in which hints of purple emerge, the burgundy hues of an occasional chair, and the blush-pink tones of a rug. “It’s colour that brings it all together as a combined, immersive experience of art and space,” Katie says.

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Dream Catcher by Greer Clayton, valued at $11,000!

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