Swamp house

The nickname “swamp house” expresses the home’s proximity to the marshy paddocks resting below it on the Crown Range between Queenstown and Wanaka but it might give you the wrong idea about the climate on the high, elevated plateau. 

For Kerr Ritchie’s Bronwen Kerr and Pete Richie it was a challenging climate in which to design a home.

“The snow stays on the ground for quite a long time in the winter – it’s really quite a formidable environment,” Bronwen says. But for the client, a stonemason who’d raised children in a house truck on the section for many years, it wasn’t daunting, merely exciting.

Bronwen says the client was highly involved in the design of the project, and their personality and skill were expressed throughout, including extensive use of the local stone – Otago schist.

The key tenets of the brief were to create a home that was warm and cosy, and took in the sublime views of the mountain ranges surrounding the 10-acre property.

The site’s covenants required specific height-to-boundary restrictions, and so a very interesting arrow-shaped plan was developed, with a roof that kicks up at the front of the house to capture the views, and which dips down at the back to create more intimate bedroom spaces.

In addition, cut into the form of the house are outdoor sheltered spaces, so that the owners can spend time outside throughout the day, and throughout seasons, without being subjected to the elements. The materiality of the build is robust and has integrity, and uses a combination of Otago schist, corrugated iron and concrete. 

“Concrete floors throughout the house mean it’s a very warm house and it doesn’t require much heating – there’s a passive solar gain,” says Pete.

Equally the internal concrete block walls act as a heat sink, and the glazing is orientated to take advantage of that solar gain. In the interior the robust material vernacular continues, with plywood wall linings and exposed concrete block work.

The arrow form of the roofline means a huge timber truss runs right through the house, and Bronwyn says this is a tribute to the client’s quirky design sensibilities and the need to create a support that spans the diagonal length of the house. 

“We have that dramatic light through the living room, with the huge truss,” says Bronwen. “It has strong geometry.”

Since the owner moved in the house has come into its own, with their collection of artwork and house plants, which perfectly complement the home’s natural surrounds.

Pete says the highlight of the build was some recent feedback from the client: “They can’t believe their luck to live in the house – it’s quite a lot warmer than their house truck!”

Latest video features

In the Coromandel, a home with a humble profile and a thoughtful design makes the most of a stunning location.

Built with awe-inspiring attention to detail, this Arrowtown home is a fresh interpretation of a familiar Otago rural vernacular.

This sculptural Northland bach is a perfect north arrow on a remote farm high above the sea.

With the sun on its bow and the community at its stern, this is a house in which the elements are always front of mind.

Trending articles

Homes

Pavilion in the clouds

Five simple elements and the well-placed delivery of a stunning view define this minimalist, Hawke’s Bay home by Dorrington Atcheson Architects.

Homes

Urban bach

When a client’s brief is to “come up with something you think looks good”, the parameters are so open and the trust so complete that

Homes

Corner villa

This clear insertion into the back of a century-old Wellington villa provides an extra 135 square metres and a myriad of spatial experiences for the

Design News

Heart of craft

Step into the Auckland headquarters of design and make studio, Fieldcraft, and you’re immediately immersed in a world of creativity that extends well beyond these