The Royal Menagerie is a new collection by Mokum; it is a play on the idea of decadence and luxury – a contemporary take on 1970s Las Vegas glamour.

In Bendemeer, this house of three parts delivers a tactile materiality perfectly suited to its alpine surrounds.

As flexible arrangements continue to dominate our working life, we take a look at well-designed spaces that perfectly blur the line between home and cubicle.

At Long Gully Station, just beyond the Brooklyn wind turbine high above Wellington, this is a home of bold colour and innovation.

A highly tactile and textural construction method, rammed earth building is developing at pace in New Zealand. We explore a recent project in Ophir.

As our glaciers melt, Nelson-based photographer Virginia Woolf is recording their decline in the hope her images help to inspire change.

We revisit the winning Home of the Year 2019 — Diagrid House by Jack McKinney Architects — and transform the strong, architectural interior.

A modest project in Sandringham by Pac Studio takes out the highest honours at the 2022 Dulux Colour Awards.

Clad in cedar, this house is devised as a sum of connected parts. The cedar is used in several different formats, the differentiation is subtle as are the tonal changes.

Impeccable furniture selection from Simon James helps to stitch the architectural narratives of this Great Barrier home to its surroundings.

On a streetscape of dualities: commercial and residential, old and new, coastal and suburban, a church of historical value has been daringly brought back to life.

BMW has a vision for a circular economy that is embodied in its goal to become the world’s most sustainable manufacturer of premium vehicles. 

Scandinavian design company, Muuto, believes it is important for intuitive senses to be stimulated and inspired while workday at home.

Last month Dulux held their annual Colour Awards, a celebration of ambitious and innovative use of colour in the built environment.

Design duo Kelly Gammie and Sean Monk’s new Ponsonby studio offers an intentional ambiguity in every space.